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Slipknot - "Iowa"
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| Roadrunner Records (2001) |
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Genre: n/a
Similar bands: n/a
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| Review: |
| No bio is necessary for the nine masked freaks that make up Slipknot. If you haven't heard them, or at least heard of them yet, then you must have your head shoved up your ass. Their self-titled Roadrunner debut sold more copies than anyone expected and turned a ton of heads. Their live show hooked even more people. Well, two years have pasted and the masses have been waiting impatiently for the band's second spewing of songs, which finally comes in the form of "Iowa". Now, this website isn't garnered to the 'nu-metal' crowd (nor do I want it to be) and the visitors can say what they will about Slipknot playing that style, but I think they need to step back and take a listen. I'm probably one of nu-metal's biggest opponents, but I strongly believe that Slipknot is hanging onto this to the genre by a thin thread, if at all. They have (or had, I can't remember if he's still in the band) in their ranks the drummer for Anal Blast, a highly underground grindcore band. They're all highly influenced by death and black metal. "Sure, that all sounds good on paper..." you say, but let us allow the music to speak for itself. After the eerie intro, the albumr "People = Shit" starts of with blast beats! I'm talkin no foolin' blast beats here. After that, a breakdown with turns into more double bass madness. Is it a death metal song? No. A hardcore opus? Definitely not. But it continues heavy as shit and that's what matters. After that, "Disasterpiece" doesn't even give you a chance to pick your sorry ass up off the floor. The bridge and ending of this track is a breakdown that would rival even the toughest of toughguy bands (Hatebreed, watch out), only with double bass beats underneath. This track, in my opinion, is the shining star of the album. Of course, as with their last disc, the album isn't free from blemishes. There are a lot of ambient tracks that I could without, or uninspired songs that latch onto one good riff, rather than remaining effective for the entire duration. But there are enough listenable cuts to keep your attention throughout the entire fourteen song, sixty-six minute affair. If you've heard Slipknot and you weren't interested, I totally understand. They are definitely not for everyone. On the otherhand, if you're listening to the hype and you won't give them a chance on account of hearsay, I suggest finding some secret time away from your friends and peers and giving them a chance. They might just kick your ass. I know they kicked mine. |
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| Grade: |
| 90/100 |
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| xbrutalizerx - Say what you want, but this album is brutal. "Iowa" is by far and away the best nu-metal cd ever. This disc represents all that is good about that genre, and you have to respect them for throwing in some breakdowns (which I'm sure resulted from their touring with Hatebreed) and some death growls and blast beats. For those of you who hate nu-metal just because it's nu-metal, you obviously won't like this, but for any of you who are not hardcore elitists (arent kids in the hc scene supposed to beminded? Oh yeah, only if it has to do with pussyism, communism, or veganism...) you will be pleasantly suprised by the brutality of this cd. | | BrassKnuckleAbortion - GAY! | sarin - Slipknot's first cd was, at the time I got it, the heaviest thing I'd ever heard. I was sort of new to heavy music, it was far beyond anything I'd heard before. But, as I've gotten more and more into the world of hardcore and metal, I've started to notice a few things about Slipknot: 1) Big egos. They love to talk trash. Their drummer makes a big deal out of playing 16th notes on his double bass set. Their guitarists trash seven string guitars, as if that's to blame for a band sucking. They take themselves way to seriously for a bunch of grown men in orange coveralls and halloween masks. 2) Sloppiness. They are not a very tight band. I've listened to Iowa. There is no mindblowing musicianship in evidence here. They're not backing up those egos with any meat. 3) The whole ozz-fest, nu-metal thing. Yes, it's shallow to judge a band only on the genre they're lumped into. However, it's stupid to treat music like it exists in a vacuum. Lots of things, other than the music on a record, will influence the decisions you make about it. Slipknot is nu-metal. They have a dj and a samples guy, and their singer occasionally lapses into some of the most godawful, stiff, WHITE rapping I've ever heard in my life, sort of like our other pal, Fred Durst. His lyrics are almost as asinine as those of his white-boy rapping rival, too. They get played on the radio next to bands like Saliva and Linkin Park, undisguised crap designed to hook those who don't know any better. This is what I had in mind, about Slipknot, before I heard this Iowa. The album did nothing to change that. It sounds like nine guys, who were problably all messed up from some home cooked midwestern meth, making a lot of noise and talking some shit over it. It's not death metal. It's not hardcore. It's sloppy nu-metal. I respect the reviewer's opinion, they're entitled to it, but I wouldn't recommend this cd to anyone without an armload of disturbed merch. | | | | Click here to leave a comment. |
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